Thus he lagged far behind his parents and got lost in the crowd of the fair. Each personality type—scolds, undecided women, prudes, coquettes—becomes a Salamander, Nymph, Gnome, or Sylph, respectively. The Baron, one of Belinda's suitors, greatly admires these locks and conspires to steal one. Since epics are… 1412 Words 6 Pages The Rape of the Lock The Restoration Period 1660-1700 was a period of social, political and philosophical turmoil, which laid the foundation for future centuries. The Rape of the Lock is a poem in which things, not people, are the heroes. The poem is perhaps the most outstanding example in the English language of the genre of mock-epic. Belinda is then awoken by her lapdog, Shock.
The Rape of the Lock at first glance is a commentary on human vanity and the ritual of courtship. The first two are major bodies and were named in 1852 by , a year after their discovery. The Gnomes or Dæmons of Earth delight in ; but the Sylphs, whose habitation is in the air, are the best-conditioned creatures imaginable. He traps her in the game of cards and cut her most beautiful lock from behind and Belinda regrets to have gone for the game and dance parties. After this, there's no way that Belinda will laugh off the Baron's prank, even though Canto V begins with Clarissa trying to tell her to be a good sport about it. Rosicrucian Doctrine is the name given to secret brotherhood supposed to have been founded by Christian Rosankrents.
They are ageless and can assume either sex whenever they please. Pope in the manner of epic poets, Homer, Virgil and Milton, sets forth his mock epic with a proposition announcing the subject and in invocation to the muse to help him sing how a dreadful consequence arises from a love affair and a fierce quarrel results from a very trivial incident. Pope's quick wit bounces the reader along his detailed description of his parlor-room epic. He took the original traits of the poem and revamped it to become his own. In 'The Rape of the Lock' Alexander Pope 1688-1744 employs a mock-epic style to satirise the 'beau-monde' fashionable world, society of the elite of eighteenth century England.
Basing his poem on a real incident among families of his acquaintance, Pope intended his verses to cool hot tempers and to encourage his friends to laugh at their own folly. Coffee making ceremony is also ridiculed in the poem because of the extravagant importance that it receives at the cost of serious concerns of life. His purpose was merely to expose the life of the nobility of his time. While Milton chose blank verse to express the immensity of the landscape of his epic, Pope chose to utilize the heroic couplet to trivialize this grandeur. Pope is probably the most famous writer from the Age of Reason, and his works are the most widely studied form this time Characters: The characters in this short poem are all intentionally made to be flat, as this would add to the satire of their elite society. West approached the problem of teaching not from the standpoint of pedagogy, but from the standpoint of social needs of the Indian people. Pope seems to be pointing his critical and sarcastic finger at human nature.
The hollowness of the upper classes of the time exposed to mockery. The verse form of this poem is the heroic couplet, one in which two ideas may be easily balanced and counter-weighed. At this point in the poem, however, Pope depicts Belinda not as a coquette but as a powerful figure, similar to the male heroes of epic poetry. Their hearts were like toy shops which moved from one gallant to another. The poem makes serious demands upon the reader, not only because of its length, but also because it requires a background knowledge of epic literature and some understanding of the trapping of upper-crust England. Consequently, he suffered a great deal of emotional trauma and social anxiety. Because he was a Roman Catholic living in a predominately Protestant society, he was largely excluded from the university system and therefore was self-taught, for the most part.
Pope arguably satirises it from within rather than looking down judgmentally on the characters. The caesura, the end-stopped lines, and the perfect rhymes lend the exact amount of manners and gaiety to his work. He expertly balanced the two lines, often using a slight pause at the end of the first line and a heavy stop at the end of the second line. Her toilette commences as a religious rite in praise of a goddess. The main character in the poem, Belinda, is in fact based on Arabella Fermor, and the man who cut off a lock of her hair is Lord Petre.
Here, the sexual allegory of the poem comes into view. Not what you're looking for? Pope seems to be pointing his critical and sarcastic finger at human nature. At the age of twelve, he contracted tuberculosis, a disease that left him stunted and misshapen. Both the males and females of upper class that remain busy in either in love games or the games of omber. The lock is lost in the confusion of this mock battle, however; the poet consoles the bereft Belinda with the suggestion that it has been taken up into the heavens and immortalized as a constellation.
Its mockery is far from simple. The Rape of the Lock is an example of an evolved form of a mock-heroic epic. When Belinda discovers her lock is gone, she falls into a tantrum, while the Baron celebrates his victory. So, the title brings out the triviality of the subject-matter and is hence appropriate. The inner satellite Belinda was not discovered until 1986 and is the only other of the planet's 27 moons taken from Pope's poem rather than Shakespeare's works.
GradeSaver, 29 December 2010 Web. The abduction of becomes here the theft of a lock of hair; the gods become minute sylphs; the description of ' shield becomes an on one of Belinda's petticoats. Sylphs are the most common. Our work is high quality, plagiarism-free and delivered on time. In more of a detailed reading the poem also portrays the relationship between men and women, in particular with how they are more concerned with social status, physical beauty and material values as opposed to their moral.