New York: Bookman Associates, 1957. New York: Harcourt, Brace, and World, 1956. The Novels and Tales of Henry James. Lincoln, Nebraska: University of Nebraska Press, 1961. Segal, Ora, The Lucid Reflector.
The Madness of Art: A Study of Henry James. The Teller in the Tale. Goldberg, Gerald, Nancy Marner Goldberg, eds. The neurotic creates substitutive satisfactions for himself in his symptoms, and these either cause him suffering in themselves or become sources of suffering for him by raising difficulties in his relations with his environment and the society he belongs to. The Ambiguity of Henry James.
A Rhetoric of the Unreal: 188-229. Carbondale and Edwardsville: Southern Illinois University Press, 1965. The Techniques of the Novel. A Rhetoric of the Unreal. The Great Short Novels of Henry James. In terms of the tale's critical history, it is interesting to observe that attempts to liberate it from the traditional polemic between the apparitionists those insisting on the reality of the ghosts and the hallucinationists those pathologizing the governess—notably, Edmund Wilson have often involved a rethinking of its generic structure. Additionally, the reader appears toward the end of the passage as he who is turned by the text and he who performs the text by repeating it.
The Wind Blew from the East: A Study in the Orientation of American Culture. Jung and the Christian Way. New York: Random House, 1942. Philadelphia: University of Pennsylvania Press, 1987. A Rhetoric of the Unreal: 128-157.
New Brunswick: Rutgers University Press, 1948. American Renaissance: Art and Expression in the Age of Emerson and Whitman. New York: Charles Scribner's Sons, 1928. Minneapolis: The Seabury Press, 1983. Paul Daily Pioneer Press 6 Nov. Website Shoshana Felman is an American and current Woodruff Professor of Comparative Literature and French at.
Edgar Allan Poe: A Phenomenological View. Twentieth Century Criticism: The Major Statements. Setting up reading intentions help you organise your course reading. Also reproduced are four paintings by Charles Demuth. Revised and enlarged edition, 1984: 132.
She prioritizes the performance, and as my sort of circular and looping and questioning post has demonstrated, this ambiguity is what is being performed. Cambridge: Harvard University Press, 1964. A Chronology and Selected Bibliography are included. Chapel Hill: North Carolina University Press, 1969. Criticism in American Periodicals of the Works of Henry James from 1866 to 1916.
New York: Albert and Charles Boni, 1915. Henry James Turns the Screw. A Stormy Night with The Turn of the Screw. The Turn of the Screw: Authoritative Text, Contexts, Criticism. Your reading intentions are private to you and will not be shown to other users. New York: Charles Scribner's Sons, 1907-1917. Minneapolis: University of Minnesota Press, 1984.